Film review – Steve Jobs

Main Cast

Michael Fassbender as Steve Jobs, co-founder of Apple Inc

Kate Winslet as Joanna Hoffman, marketing executive for Apple and NeXT and Jobs’ confidant in the film.

Seth Rogen as Steve Wozniak, co-founder of Apple and creator of the Apple II

Jeff Daniels as John Sculley, CEO of Apple from 1983 to 1993.

Katherine Waterston as Chrisann Brennan, Jobs’ former girlfriend and Lisa’s mother.

Michael Stuhlbarg as Andy Hertzfeld, a member of the original Mac team.

Makenzie Moss, Ripley Sobo, and Perla Haney-Jardine as Lisa Brennan-Jobs (at different ages), the daughter of Steve Jobs and Chrisann Brennan]

Director: Danny Boyle

Screenplay: Aaron Sorkin

Robert Henderson

The film is not about the entirety of Jobs’  life or even all of his adult life as a computer entrepreneur. It runs from the launch of the Apple Macintosh in 1984 to that of the  iMac in 1998. Consequently, it  misses arguably the most fruitful part of Jobs’  business  life which ended with his death  in 2011.

Running through the  film are two themes from outside of  the IT world. The first  is the impact of the knowledge that he (Jobs) was adopted at birth, rejected by his first would-be adopters after a few months and the adopted again.  Jobs’ inept handling of  human relations is attributed to this.   The second theme is a remnant of Jobs’ rather chaotic social life which in the film he runs on the same dysfunctional basis as his work. The remnant is his  one time girlfriend Chrisann Brennan (Katherine Waterston)  and their daughter Lisa whom Jobs tries not to acknowledge initially  as his child, but whom he  gradually accepts as his daughter.

Those are the circumstantial bare bones of the film.  The film’s distinction and energy comes from a remarkable turn by Michael Fassbender as Jobs. Fassbender  has a talent for portraying obsessive characters. He did it in magnificently in  Shame as a sex obsessive and he does it here with his portrayal of Jobs  as an unrestrained control freak with a adolescent grade  ego the size of Jupiter.  He is constantly bullying and appears to have  little if any moral  sense. When he does behave more reasonably it is invariably not because he feels guilty,  but either as a result of  Joanna Hoffman (Kate Winslet)  thrusting what he is doing wrong so firmly in his face that he cannot ignore it or because someone treads on his  personal territory , as when  he discovers that Andy Hertzfeld  (Michael Stuhlbarg)  has paid his daughter’s first semester fees after Jobs in a fit of temper told  her he will not pay them.  In short, Fassbender’s Jobs is very like a particularly fractious  teenager without any  adult brake on his bumptious behaviour.

Whether  Fassbender’s Jobs is a realistic portrayal  of the man is another matter. It is disputed by many who knew him  and certainly this filmic Jobs is a monstrously unsympathetic character, the sort of person who continually brings gratuitous stress into the lives of those around him.     Nor is he shown to be an  infallible  entrepreneurial wizard.  Jobs got many things  right with Apple, especially after his return to the company, but he also got a great deal wrong by relying on his judgement of what would appeal  to the public and taking little account of what his programmers and hardware engineers told him .

His worst mistake was  the original Apple Mac which he deliberately had made so that it could only take programs written for its operating system (which was incompatible with that of Microsoft),  could not readily  accommodate add-ons to improve functionality and, just to put the cherry on things, the AppleMac case could not be opened to repair or enhance except with special tools  which were not available to Apple Mc purchasers .   At the time it was launched I remember thinking it was a bonkers way of proceeding.  It was an act of supreme egotism on Job’s part because he wanted the system to be entirely self-contained, that is to be a system  he envisaged  and controlled.  With Jobs in this characterisation it was always his way or the highway.

The Wozniak character expresses his frustration at Jobs’ lack of technical knowhow most vividly when he says “What do you do? You don’t write code. You’re not an engineer.   You’re not a designer. You can’t put a hammer to a nail.  I built the circuit board. The graphical interface was stolen from Xerox Park, Jeff Raskin  was the leader of the Mac team before you threw him of his own project. Someone else designed the box.  So how come  ten times in a day I read  that Steve Jobs is a genius?  What do you do?”

Jobs’ reply is a facile “I play the orchestra, and you’re a good musician. You sit right there and you’re the best in your row.” Fine if the tune Jobs is conducting is a hit with the public but quite often it was not.

This scene is one of the best in the film. The problem is that the real Wozniak denies ever confronting Jobs so directly: “Anybody who knows me will tell you I just don’t say negative things to people, and could not have said them, and didn’t.”

There is a very strong acting performance across the board. Steve Jobs is splendidly   cast and apart from Fassbender,  there is a dominant  turn  by Kate Winslet (does she ever give a poor performance?) as Jobs’  right hand woman and confidant  while  Seth Rogen as Steve Wozniak, Jeff Daniels as John Sculley,  Michael Stuhlbarg as Andy Hertzfeld, a member of the original Mac team are all very convincing because they are just the type of personalities with just the type of looks one would expect in such jobs.  Katherine Waterston as Chrisann Brennan is, Jobs’ former girlfriend and Lisa’s mother is by turns convincing  as a single mother justifiably  angry at Jobs’ failure to acknowledge his daughter denied  and pathetic inadequate  .

The screenplay is by Aaron Sorkin who wrote the screenplay for the  Social Network.  This is not anything like as good a film as the Social Network, which retained its taut energy and constantly  evolving storyline  throughout , whereas Steve Jobs  is much more dependent on Fassbender’s  bravura scenes which in general tone do begin to have a certain sameness towards the latter stages of the film. Nonetheless Steve Jobs has much of the Social Networks quick wittedness in its dialogue and the relationship between  Fassbender and Winslet is constantly sparky.

This film is not as good as it might have been but it will not bore you.

 

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