Why have whites dominated?

 Plausibly, whites have been the culturally dominant race – in the sense of creating the most sophisticated societies to date – because they marry a high average IQ with a superior verbal ability to that of Asians. This means they can both handle the IQ demands of an advanced sophisticated society and have sufficient sociability to create structures which extend the group loyalty and sense of oneness beyond the family or tribe without resorting to unashamed authoritarian control, for example civil society and representative government. They display strong traits of initiative, imagination and intellectual curiosity, traits which may be linked to their relatively high sociability, a behaviour which encourages emulation and competition between and within the sexes. Other biological traits such as testosterone levels somewhere between blacks and Asians may also promote such behaviour.

There is evidence that enhanced traits of individuality and imagination go back to the beginnings of modern European man. The vast majority of extant cave paintings in the world are found in Europe, especially in the west of the continent. (The cave art of the Palaeolithic and the finely honed flint tools of the later Stone Age, whose workmanship goes far beyond the demands of the demands of simple utility, arguably represent a higher state of development than the 19th Century Tasmanians).

The great ancient white civilisations which arose around the Mediterranean, those of Greece and Rome, show an immense fertility of mind. It is here that we first find evidence of analytical thought as a conscious pursuit. Their art is both extensive and varied and subject to fashion, that is, it changes regularly over time. That art, both visual and literary, is concerned with either Homo sapiens or gods who share human qualities, evidence of a similar mentality to that which drove the Renaissance. In terms of advanced social organisation, the Greeks created the idea of direct democracy and the Romans incorporated democratic aspects into the first great European political entity.

These traits continued throughout the mediaeval European world, even though they were gradually placed ever more firmly in the constraining context of Christianity. Illuminated European manuscripts often reveal a lively irreverence and interest in the profane world in their illustrations, monarchs, great nobles and religious orders vied with one another to produce ever more magnificently egotistical material statements in the form of gorgeous illuminated manuscripts, great castles and religious buildings, parliaments were created in many kingdoms. Intellectuals such as Aquinas, Duns Scotus, Peter Abelard and William of Occam wrestled with the implications of existence. Then came the Renaissance which saw the qualities of individuality and imagination given full rein, aided by the advance of the vernacular throughout Europe and, most importantly, printing. From that point onwards the general cultural advance of Europe has never faltered and has produced science, high technology, representative government and an ever changing kaleidoscope of artistic endeavour. These were the building blocks of modernity.

The acceptance of Christianity within Europe is interesting in itself for the religion embodies the notion of individualism, both in the personification of God and the individual’s relationship with God. Moreover, the placing of God in human form in the person of Christ echoes the humanising of the Greek and Roman gods. Old wine in new bottles.

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